ÌÇÐÄvlog¹ÙÍø

What is memorable about your time at the University of ÌÇÐÄvlog¹ÙÍø and how did it assist you in your career?

Firstly, I really appreciate that I commenced my degree at a time prior to personal computers becoming commonplace. For at least the first year of my degree, I had to handwrite assignments and there was great expectation from tutors and peers to complete weekly set readings. This helped to produce academic rigour and personal standards relating to my work.

I was lucky to form relationships with a couple of my best friends who pushed me academically and to have fun. We’ve continued to be of great support to each other personally and professionally, and I am always inspired by their achievements.

I had to work hard to get up to speed as an undergraduate, but I also really enjoyed the social aspects of uni such as seeing bands at the uni bar and especially meeting the many Aboriginal and Torres Strait Islander students that came to the University of ÌÇÐÄvlog¹ÙÍø’s Centre of Aboriginal Studies in Music.

The most important thing that I learned through my undergraduate degree was that the sharing of Aboriginal knowledge was appreciated by many, and that if I worked hard, I could improve my academic and creative writing and have fun striving toward excellence.

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You are an author and you work as the Research Fellow, Aboriginal and Torres Strait Islander Material Culture and Arts at the South Australian Museum and UniSA. What was your career journey to reach this point? What are the highlights to date and the most rewarding and enjoyable aspects of your work?

I left Port Augusta when I was almost seventeen to enrol at ÌÇÐÄvlog¹ÙÍø University because I was adamant that I wanted to become a writer. What I didn’t realise was the other career options that my studies would present. My undergraduate studies provided me a sense of the importance of Aboriginal representation in literature, film and media, and the general importance of communicating Aboriginal experience and knowledge in public life. I therefore commenced a career in arts administration, becoming a lecturer for over a decade before moving back to arts administration and curation. I find myself doing all of these things on a weekly basis whilst contributing to the work of my Nukunu community in the Southern Flinders Ranges.

My creative writing is a constant. It’s been a great vehicle for me to share my ideas and frustrations and to connect with local and international audiences. My readership is growing, particularly through the success of my junior fiction titles ‘Game Day,’ and ‘Uncle Xbox.’

There’s been so many remarkable highlights including working with people like film director Rachel Perkins, and musician Paul Kelly, having one of my plays produced in Kenya and Uganda in 1999, undertaking a mentorship in Jamaica with my favourite writer Olive Senior, cowriting the ‘Game Day’ Series with NBA and Olympian Basketballer Patty Mills, and recently undertaking a exploring first nations people’s interpretative strategies in museums and galleries in Canada, Finland, Norway, the US and New Zealand.

The most important aspects of my work are engaging with Aboriginal and other first nations people and facilitating the telling of their remarkable stories.

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What and who inspired you to become a writer?

Storytelling amongst members of my family and then seeing the play ‘Funerals and Circuses’ by Roger Bennett as part of the 1992 ÌÇÐÄvlog¹ÙÍø Festival inspired me to become a writer. Having grown up experiencing racism and constantly being aware of it playing out around me motivated me to address racism and writing was the vehicle that I identified as the tool for doing this.

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"The most important aspects of my work are engaging with Aboriginal and other first nations people and facilitating the telling of their remarkable stories."Dr Jared Thomas

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You have written short stories, poetry and scripts but most of your writing has focussed on fiction for children and young people. Why is this your passion and what is important about making this work?

Most of my writing has been young adult fiction focussed because I believe it to be such a transformational time in people’s lives and I have always focussed on writing the book that appeals to the disengaged learner that has much potential, maybe because that’s who I was during my early teens. For non-Indigenous readers, young adult years are a time when people are questioning societal norms and ideologies and I also like to present these people with an insight into Aboriginal life and aspiration to consider.

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What’s next?

My focus for the foreseeable future will be working to ensure Aboriginal and Torres Strait Islander people are better represented through the South Australian Museum and other South Australia cultural institutions, with the hope that the proposed Tarrkarri Centre for First Nations Cultures will come to fruition. As I’ve experienced through engagement with international global iconic cultural centres, they can be truly nation building and will dramatically improve the relationships between first nations people and others, resulting in a much-improved cultural landscape.

I will also focus on writing junior fiction works, particularly completing and promoting my six book junior fiction series ‘Uncle Xbox’.

My unfulfilled goal continues to be the adaptation of my young adult fiction and junior fiction titles to screen so I will continue to push in this direction.

Being at home on country and contributing to the revitalisation of country and my community is my greatest aspiration so I hope to increase this work, hopefully partnering with others to assist in telling Nukunu stories, increase restoration of country, and develop economic streams such as native food production.

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What advice do you have for your 20-year-old self?

It’s the same advice I need to give myself today and that is to focus on gaining support from those who want to give it, block out the negative, especially negative self-talk, and celebrate and have gratitude for achievement.

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What is your favourite book? Why?

My favourite book is ‘Summer Lightning and Other Stories,’ by Olive Senior. I read the work in first year English and it was mind blowing because it felt to me that through Olive’s exploration of the good, bad and the ugly of Jamaica, it was almost like she was writing about the rural Aboriginal cultural landscapes that I understood. Olive is now in her 80s and the current poet Laureate of Jamaica. Her work won the Commonwealth Writers prize when she was an undergraduate and it indicated to me the potential for my role in developing Aboriginal fiction, of which there wasn’t a lot of in the 90s. In 2008 I was mentored in Jamaica by Olive as I developed the novel ‘Calypso Summer,’ which went on to win the White Raven Award, one of if not the highest international award for young adult fiction. Over the years I have continued to spend time with Olive, mostly in Toronto, and I plan to spend time with her in Jamaica early next year.

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